Art & Breakfast: Cottage Cheese Pancakes with Lingonberry

I discovered this recipe last year and it has been the favorite breakfast special ever since then. They are light, delicate, and fluffy pancakes and the lingonberry preserves send it over the top!

Cottage Cheese Pancakes with Lingonberry

Note: It’s best to make the batter at least 30 minutes in advance for the lightest pancakes. You can even make it the night before. IMG 0895 1 1/2 cups of cottage cheese (I use Cabot’s whole milk cottage cheese)
6 large eggs
3/4 cup unbleached, all-purpose flour
1/2 cup unsalted butter, melted
vegetable oil spray
Garnish: best quality lingonberry preserves & powdered sugar in a shaker

  1. Whisk the eggs in a mixing bowl. Whisk in the flour, until totally blended, and then whisk in the melted butter.
  2. With a rubber spatula, fold in the cottage cheese.
  3. Heat a nonstick griddle over moderately high heat and then coat lightly with vegetable oil spray.
  4. Using a 1/4-cup measure, ladle pancake batter onto the griddle, and cook for 1 – 2 minutes per side, until nicely browned on each side and cooked through.
  5. Serve the pancakes with a nice dollop of lingonberry preserves on top sprinkled with powdered sugar.

Serves 4 – 6, but be warned this is only breakfast special that it is not unusual for people to order a second helping!

Workshop Report: Expanding Your Vision with Oil & Cold Wax

On March 19th, we kicked off our 2017 season by welcoming abstract artist Lisa Pressman and nine students for a week of oil and cold wax painting. This fun loving group were some of the most prolific artists we’ve had in our studio – each day completing numerous, gorgeous, abstract pieces using the techniques taught by Lisa.

We’ll share a few of the images we captured here on our blog, but encourage you to also check out the full gallery on our Facebook page. You can also scroll back in our Instagram feed to see what we captured during the class.

Also, before we get started with a few more photos – make sure to keep checking back on our Facebook page for a class video that we’ll post within the next week!

Five Questions for Fiber Artist Lisa Binkley

Instructing one of our long weekend, three day workshops this year is fiber artist Lisa Binkley. Her August 26-30 workshop on Layered Surface Design will give special attention to the interaction of beads and thread with fabric patterns. Lisa kindly took a moment to take part in our annual instructor interview series to share some of her perspectives on her work.

Q: Where do you draw inspiration from?
LB: Nature, poetry, and the materials I use (fabrics, embroidery threads, and beads).

Q: What are you most proud of in regards to your art?
LB: I’m proud of the quality of my craftsmanship and the thought that goes into each piece of art I make.

Q: What are your biggest challenges to creating art and how do you deal with them?
LB: One of my biggest challenges is that I like to stick in very fine detail, so one quilt or embroidery may take six months or longer to create. I’m working on learning to stitch faster, but I still feel proud of the work I make.

Q: What advice has influenced you?
LB: My husband is a professional illustrator, and his feedback about composition has been very helpful. I also found Jane Sassaman’s* suggestions in her book, “The Quilted Garden” extremely helpful.

Q: Is there something you are currently working on, or excited about starting that you can tell us about?
LB: I’ve been dying a lot of my own fabrics the last few years, and I’m excited about a series I’m undertaking to start with white cloth and end up with pieced quilts that are entirely botanically dyed and printed by me and then intensely hand stitched with beads and embroidered threads. I’ll bring some with me in August!

Learn more about Lisa’s workshop with us here.
Learn more about Lisa on her website or follow her on Facebook and Instagram.

*A fellow Hudson River Valley Art Workshops instructor! Jane’s workshop begins at the end of next month from April 30-May 6 and is entitled Abstracting from Nature. Learn more about her workshop here and read Jane’s interview with us here.
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Five Questions for Pastelist Liz Kenyon

Pastelist Liz Kenyon will be found here at the Hudson River Valley Art Workshops from June 18-24 teaching her workshop, Loose and Vibrant Soft Pastel Painting. As we look forward to the fairer temperatures and greener landscape that awaits Upstate New York that month, Liz was kind enough to tell us a little bit more about her approach to art with our annual instructor interview series.

Q: What do you want your work to do?
LK: Everything! I want my work to result in award winning student art! I want my soft pastel paintings to be loose and vibrant with luminous colors, for the surface texture to be remarkable, for it’s creation to be ‘hands on,’ to layer the soft dry pigment with my fingers so directly that a viewer can hear my work breathing, for my work to be demanding and fund, and for my work with pastels to make my job as a teacher easy.

Q: How has your style changed over the years?
LK: The adage ‘all work and no play makes Jack a dull boy’ can apply to be because I’ve unfolded new fun methods of expressing and teaching color. I have developed a lighter touch; less pastel dust is falling onto my easel. My process of applying color has also advanced; instead of layering or glazing with a single stick, I paint with two or three pastels in order to create more transparency and pulsing passages. With curiosity as my guide, I’ve been exploring alternative subject matter like ‘silly selfies’ and eggshell set ups.

Q: How do you come up with a profitable pricing structure for your pieces?
LK: In this economy, I am happy to sell and support myself. In pricing my work I consider a list of things; 

  1. artist’s fee, myself
  2. professional framing under non-reflective glass
  3. studio maintenance, materials and supplies, commissions, shipping, and advertising
  4. size of the piece
  5. the buyer, is it a new customer, a repeat customer, one of my students, or a family member

Q: Do you have a motto?
LK: “Believe in myself and relax.” I use my motto whenever I see outstanding paintings in galleries or websites; I pause and ask myself if the artwork speaks to me and why. I use my motto when I’m deciding whether to enter a juried show or taking a workshop, to avoid questioning my own abilities and to avoid comparing my work to other artists, whenever I need to relax, to remind me there’s a buyer for my art, to remember that taking a workshop can be super fun and inspirational. My motto also changes to fit the circumstances.

Q: Are you involved in any upcoming shows or events? Where and when?
LK: I just completed teaching a four week class at the Scottsdale Artist School in Scottsdale, AZ. I am exhibiting at the Arizona-Sonora Desert Museum from February 18-April 18 – this is a juried show and I was awarded the second place prize. I am also exhibiting in a National Juried Show in Sedona, AZ from April 18-29, sponsored by the Arizona Pastel Artist Association. 


Learn more about Liz’s workshop with us here.
Learn more about Liz on her website.

A Few Questions for Watercolorist Paul George

Noted by International Magazine as a rare combination of a good painter and a creative teacher, Paul George will be found here in Greenville this July instructing a three-day workshop on Watercolor Landscapes & Still Life. We highly recommend this workshop for both beginners and experienced painters and there are still a few spots left! Before his workshop, Paul took the time to answer a few questions about his approach to art.

Q: What do you want your work to do?
PG: Inspire my feelings and emotions in the viewer.

Q: How has your style changed over the years?
PG: Yes, I think as with most artists, I have become looser and more confident and that shows as changes in your style and handling of subjects.

Q: How do you come up with a profitable pricing structure for your pieces?
PG: I base my pricing on experience. I have been painting and selling for over twenty years, so I have a good idea from experience in the market place what my pricing should be. I have a base price for size, for example; a 11″x14″ watercolor, I base at $500. But if a certain painting is exceptional in quality I may double or even triple that price. Or if I feel it is slightly below what I want in quality, I may sell it for less. Pricing also depends if I am selling the painting myself or through a gallery and their commission structure.

Q: Are you involved in any upcoming shows or events? Where and when?
PG: Lots of shows coming up during Summer; Art Associations, Mystic Seaport Gallery, Hudson Valley AA, and Lyme AA. 


Learn more about Paul’s workshop with us here.
Learn more about Paul on his website.

Five Questions for Portrait Artist Paul Leveille

Portrait artist Paul Leveille returns to the Hudson River Valley Art Workshops this year with mixed media class on Expressive Portraits in Watercolor, Oil, or Pastel from June 25-July 1, 2017. As we edge into spring, Paul took a few moments to answer five short questions for us about his work. Also, we still have a few seats left in this popular workshop, so make sure to reserve your spot soon – call (518) 966-5219!

Q: Where do you draw your inspiration from?
PL: Since most of my work is portrait, I derive a good deal of my inspiration from my sitter.

Q: What are you most proud of in regards to your art?
PL: I’ll have to trade “proud” for “grateful”! I am so thankful to be blessed with this talent and thankful that I can make a living at my art.

Q: What are you biggest challenges to creating art and how do you deal with them?
PL: Everyday responsibilities of home and studio are challenging but necessary. I try to deal with this through prioritizing my time such as attempting to devote a determined amount of painting in each day. The remaining time is devoted to non-painting activities. 

Q: What advice has influenced you?
PL: Stay positive.

Q: Is there something you are currently working on, or excited about starting that you can tell us about?
PL: The next paining is always the most exciting.

Learn more about Paul’s upcoming workshop with us here
Learn more about Paul on his website and by following him on Facebook.

Five Questions for Quilt Artist Katie Pasquini Masopust

Instructor and author Katie Pasquini Masopust, known as Katie PM, will be returning to the Hudson River Valley Fiber Art Workshops program from June 11-17 for her popular Fractured Landscapes workshop. We still have a few spots available in Katie’s, open to all levels, workshop and so we’re happy to share more about Katie through our 2017 instructors interview series.

Q: Where do you draw your inspiration from?
KPM: I draw my inspiration from the landscape around me as well as from my paintings and photographs.

Q: What are you most proud of in regards to your art?
KPM: I am proud of my work. I try to have strong compositions, inspirational subject matter, sophisticated color schemes, and good technique. I am proud of some of the awards I have won. The Silver Star at the Houston Quilt Festival, the Quilts Japan prize at Quilt National. My quilt, Rio Hondo, was chosen as one of the 100 quilts of the 20th Century.

Q: What are your biggest challenge to creating art and how do you deal with them?
KPM: My biggest challenge is getting time in my studio. I travel a lot to teach and write books and do many things that take up my time, but I am happier working on my quilts in my studio.

Q: What advice has influenced you?
KPM: Do the work. Keep working and coming up with new ideas and inspirations.

Q: Is there something you are currently working on, or excited about starting that you can tell us about?
KPM: I am working on a fabric line for Free Spirit based on my paintings that I am very excited about and working on a fiction book with my brother. A murder mystery where the clues are in the quilt, I made the quilt.

An image of Katie’s ‘Rio Hondo’ quilt can be seen in her online gallery here.

You can find more details about Katie’s work on her website and follow her on Facebook.

Five Questions for Fiber Artist Jane Sassaman

We couldn’t be more excited to be hosting another workshop with contemporary quilt artist, fabric designer, author, and teacher Jane Sassaman. Her April 30-May 6 workshop is entitled “Abstracting from Nature” and will focus on abstraction of flora and fauna and translating those ideas into fabric.

With her workshop coming up at the tail end of next month (and yes, we still have spots available!), we asked Jane five questions about her approach to art.

Q: What do you want your work to do?
JS: Most of my quilts are symbolic statements about the cycles and spiritual forces of life. By using colorful fabrics cut into dramatic shapes, I try to express the energy and mystery of our amazing universe – from the miraculous beauty of a single blossom to the complicated powers of the soul. I want to snap us out of our mundane routine and remind us that we are part of the bigger “cosmic” picture.

Q: How has your style changed over the years?
JS: Appliquéd collage has continued to be my method of composition. I love to play with shapes and let them react to one another. I am always looking for shapes that “speak” my language. Once I find a good shape it is always available, it becomes part of my dictionary of design. At this point, I have a nice collection of motifs that rotate through my work. The motifs are personally symbolic. A spiral, for example, is the shape of growth and movement, it is self- perpetuating. A dandelion is naive, innocently tenacious, a powerful life force. 
And fine craftsmanship continues to be very important to me. Good craftsmanship adds credibility and enhances the makers intent.

Q: How do you come up with a profitable pricing structure for your pieces?
JS: I have a price per square inch and then I add an emotional value. I’m not sure it’s really profitable (even after all these years) considering how energy intensive they are. But we have to give every piece complete consideration, no matter the time involved. It is amazing that the love and attention invested in a quilt is recognized by the viewer, often subconsciously.

Q: Do you have a motto?
JS: This will sound corny, but I did a cross-stitch in 4th grade that said “Seems the harder I work, the luckier I get”. How’s that for a Midwestern work ethic? But it seems to be true for me. Good thing I LOVE to work… quilting and designing.

Q: Are you involved in any upcoming shows or events? Where and when?
JS: I am having a retrospective of my FreeSpirit fabric quilts at the AQS Shows in Lancaster, PA and Grand Rapids, MI this year. I have been designing Fabric for FreeSpirit for 16 years and it will be fun to share so many of the FreeSpirit quilts I’ve designer over the years. I am also having a show with the fabulous Betty Busby at the Visions Art Museum in January of 2018! Such an honor!

You can find more details about Jane’s work on her website and also follow her on Facebook, Instagram, and Pinterest.

Five Questions for Textile Painter Hollis Chatelain

We asked returning fiber art instructor Hollis Chatelain for her take on our short five question interview series. Hollis’s April 23-29, 2017 workshop focuses on dye painting your images and then bringing them to life with quilting.

Q: Where do you draw your inspiration from?
HC: Either from my dreams or my life experiences.

Q: What are you most proud of in regards to your art?
HC: Emotion is super important in my art because I believe that art should touch us emotionally. I’m always very humbled and touched when someone reacts emotionally to my art, and it makes me feel like I have accomplished what I set out to do. This is also what I try to teach to my students because I feel it can be done through color and composition.

Q: What are your biggest challenges to creating art and how do you deal with them?
HC: My personal challenge is finding enough time to make my art, but I don’t think that is what you’re asking for. In creating, I always challenge myself to figure out how to put the emotion that I want to come across to the viewer in the piece. How can I get them to react to the art!

Q: What advice has influenced you?
HC: Scale matters! This is just one thing that I think about all the time, but I have my work critiqued by professionals in the fine art world 4x/year so I’m always learning new things during these critiques.

Q: Is there something you are currently working on, or excited about starting that you can tell us about?
HC: I have been making a series of smaller pieces where I paint part of a face and finish the rest of it in only thread. This gives a mysterious and beautiful effect that I really like.

Hollis’s April 23-29 “Painting with Thread” workshop with us still has a few spots available. Give us a call at (518) 966-5219 to reserve your spot!
You can find more details about Hollis’s work on her website and also follow her on Facebook, Instagram, and Twitter.

Five Questions for Pastelist Susan Ogilvie, PSA

Starting off this year’s series of pastel workshops with us is returning instructor, Susan Ogilvie. A signature member of the Pastel Society of America, Susan’s five day workshop this year will focus on landscapes with pastels. At the moment, we still have spots available – so give us a call at (518) 966-5219 to reserve yours!

In advance of Susan’s workshop, we asked her five questions about her approach to art and her upcoming show.

Q: What do you want your work to do?
SO: I love the outdoors. My landscapes celebrate the beauty, diversity, and the culture of the world around us.

Q: How has your style changed over the years?
SO: I continue to eliminate more “stuff” from my landscapes – enjoying the freedom of “less is more.”

Q: How do you come up with a profitable pricing structure for your pieces?
SO: I set a standard pricing structure based on the size of the painting – and limit to about six standard sizes. This keeps framing costs down and provides better framing.

Q: Do you have a motto?
SO: “If it was easy, everyone would be doing it.”

Q: Are you involved in any upcoming shows or events? Where and when?
SO: The “Wanderlust” Invitational Landscape Exhibition at the Howard/Mandville Gallery in Kirkland, WA from May 12-June 4, 2017.

You can find more details about Susan’s work on her website and also follow her on Facebook.

Five Questions for Textile Artist Pam Holland

Our first fiber art workshop of the season kicks of with world traveler, photographer, author, illustrator, AND of course, textile artist Pam Holland.

Pam’s April 2-8 workshop will focus on her custom developed technique of painting with thread and still has a few spots available! 

In preparation for her workshop, we asked Pam five questions and here’s what she shared with us.

Q: Where do you draw inspiration from?
PH: My inspiration comes from the images I take as a photographer and the travels that I undertake.

Q: What are you most proud of in regards to your art?
PH: I guess I would have to say that winning best in show in Houston {at the International Quilt Festival} was the most amazing event and my current project, the creation of The Bayeux Tapestry as a quilt.

Q: What are your biggest challenges to creating art and how do you deal with them.
PH: To be honest, it’s easy for me, I have no challenges at all. I create intuitively and I enjoy the opportunity to teach others to do the same.

Q: What advice has influenced you?
PH: Not anything really…I’ve worked through the process of teaching and creating myself. I teach very different than others, and I prefer to take ownership of my own ideas.

Q: Is there something you are currently working on, or excited about starting that you can tell us about?
PH: I’m creating a major project, The Bayeux Tapestry to Quilt. I have been working on for 11 years now. It’s 236 feet long and an exact recreation of the Tapestry. However, it’s a quilt rather than a Tapestry of course.

You can find more details about Pam’s work on her website and also follow her on Facebook, Instagram, Pinterest, Twitter, and Vimeo.

Learn more about the original Bayeux Tapestry here.